Συναυλίες με την Ossipov στο Καισάρεια Ισραήλ

[EKOSTEL 8,742]

http://www.yosmusic....id=8821&xyz=100

Στο συγκεκριμένο site έπεσα τυχαία. Η γλώσσα είναι απαγορευτική στην έρευνα. Βρήκα το φωτορεπορτάζ και δύο videos.Υπάρχουν και ηχητικά αποσπάσματα.

http://www.yosmusic....id=8832&xyz=100

[Alona 8,279]

Yossi Hersonski is a music critic. He is extremely fond of Dalaras and has written numerours articles on Dalaras.

The two video clips are:

Shay

Itan 5 itan 6

Giorgos Dalaras - the performance (Amphitheater of Caesaria, September 2011)

I do not count the times I had seen the Dalaras. A lot. Anyone who thinks that Dalaras continues to be a local consensus is right.

Anyone who thinks a local consensus as Dalaras can overflood Caesaria like Poliker does, should have arrived on Wednesday night to Caesaria in order to understand that it is not. There were "empty pockets" (referring to critics who claimed the amphi was half empty /aaz).

What happened? Politics? Nonsense! The same way he loves the local audience - he is pro Israeli. The same way the audience loves him - there's no chance that his criticism of Israeli policy would harm him. Those who did not come - should come tonight to hear Dalaras get together with fifty-five Russian Balalaika and Domra musicians joining the bouzouki and baglama.

How does Russian music connect to Greek music? - easy. There's even an added value to the orchestration. And Giorgos - do not worry, Giorgos Dalaras remains the great Greek, universal. From a Hebrew song ("Shay" known from the "Parvarim"), to a romanza -" Avre Tu Puerta cerrada" to "my eyes" (Mi mou thymoneis /aaz).

Why is this night different from any other night? Caesarea and Dalaras, as usual, are made for each other. Natural decor, the salty smell of the sea, the Mediterranean, the sound of bouzouki carried in the wind, and the Greek blues musician singing from the heart.

How meaningful is the word "heart" to Dalaras! Songs of sadness and appreciation, songs of protest and grief. Wounds of love and longing, and the inevitable joy. And the audience, as usual, comes for the applause, despite the tears. They pay for joy, not for pain. Only honey they want to take from Dalaras. The crowd wants to dance the song of sadness.

But this is the rempetiko, the authentic laiko music, gypsy song, Latin, Spanish. Romanza. Bouzouki and baglama and the fluent orchestra and a guest singer in a yellow dress who sings with a pretty clean voice without showing a shred of pretension. It is difficult to draw boundaries. There is not much room for surprises here. Dalaras does not need to introduce his new hit from the hit-parade or get updated. People on the margins of life are the same people, the poor, the oppressed. The wound of a scarred love has not closed. Dalaras remained deep in this world, pagan music, not only as a classicist of the greek laiko music but also as a singer who the love of singing takes him to all countries where the Mediterranean and latin blood flow.

Dalaras does not erase the years, just like the laiko motif is not eroded over the years. Pain and protest songs and the popular hymn remain eternal and universal. Beautiful melody beside a temperamental beat, the warbles of his voice, the prayers. It's his eyes, his heart, his soul, the soule of Giorgos Dalaras. The coarseness that turns in the high notes into clear warbles, which has depths of sadness, but more sweet than bitter, more humane than ironic. Melody that is poured out of him with such great ease and that could not do without the rhythm and the orchestration flowing from the Mediterranean musical atmosphere that the musicians and the guest singer induce.

Dalaras scatters captivating simplicity. Everything in him comes out of modesty and that one of his exposed secrets. Beautiful modesty. There’s no need to talk about it. One needs to hear, And the one who tried to bring politics into it - simply does not understand who Dalaras is and the special bond he has with the local crowd.

[Alona 8,279]

[EKOSTEL 8,742]

http://lifestyle.nana10.co.il/Article/?ArticleID=827520

Βίντεο από τηλεοπτικό κανάλι του Ισραήλ με συνέντευξη κι απόσπασμα από πρόβες. Όποιος μπορεί να το απομονώσει και να το αποθηκεύσει...

[albert 1,558]

Καταπληκτικο το βιντεακι!!Που το ξετρυπωσες;;Και η συνεντευξη μα και ιδιαιτερως οι προβες!!!

[EKOSTEL 8,742]

Μην το ψάχνεις,Μάριε, πώς το ξετρύπωσα...Κοιτάξτε οι ειδήμονες επί των τεχνικών να κάνετε τα δέοντα...

[Apostolis 2,082]

Το video σε αρχείο mp4:

https://rapidshare.com/files/2633460234/90374253-146.mp4

[EKOSTEL 8,742]

Το video σε αρχείο mp4:

https://rapidshare.c...0374253-146.mp4

Ταχύτητα!Ευχαριστώ σε,Αποστόλη!

[megali_mpougatsa 687]

Τέλειοοο!!!!!!

Ευχαριστούμε Ελίνα και Αποστόλη!!!!

[Alona 8,279]

[marochr 4,538]

Πολύ καλό και το βίντεο που ανακάλυψε η Ελίνα!!

Edited September 19, 2011 by Apostolis

[Anna 752]

Here are some of my photos from the first concert in Caesarea. You’ll see that I had some problems to get the whole scenery

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos066-2.jpg

at least I got one useful from the men of Ossipov at the right side

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos067-2.jpg

and one from the women of Ossipov at the left side, with their best dresses

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos068-2.jpg

so, as I couldn’t get the whole, I focussed a bit on Dalaras and got these shots

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos099-2.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos100-3.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos101-2.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos117-2.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos120-3.jpg

here we have Aspasia, Vladimir Andropov, Vassili Ketenzoglou and the arm of Dalaras

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos121.jpg

I think we need no explanation for these photos

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos122-2.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos123-1.jpg

the flowers

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos125-3.jpg

and the end of the first night

“don’t shoot me, I’m only the conductor”

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos128-4.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos129-2.jpg

my “highlight” was “Θεός αν είναι…” but on my way home, there was another Bregovic’ song in my mind (influenced by Dalaras’ tshirt?), no, because of the sort of state I was in :

„η καρδιά μου θέλει να πετάξει…“

and the second night will follow...

[EKOSTEL 8,742]

Excellent photos,Anna! Thank you!

[petros_petrakis 1,559]

Anna...

[elli13 523]

Thank you Anna!!!!!!

[Anna 752]

Anna...

what a nice smiley, thank you very much!

One thing I liked very much about these two concerts in Caesarea, was to see how much Dalaras himself enjoyed the performances. I have been to a lot of his concerts with symphonic orchestras. And he never seemed to be relaxed. The opposite, I had the impression, that he was always a bit nervous and very serious with these big orchestras and the conductors. Especially in the beginning. But now, nothing! From the beginning relaxed, joyful, but definitely not shallow, no, as exact as always. No mistake and every song he interpreted on the well known high standard!!! To say in one sentence: It was a great joy for me to attend and to listen to and –once again- I’m so thankful!!!

Ps. even his “not dressing up”, jeans and „το ίδιο παλτό“ was perfect

But back to the photos, here we have Dalaras with the tsouras:

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos147-1.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos148-1.jpg

and I like so much this look to the conductor

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos156.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos167-1.jpg

with the guitar, in action

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos172.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos173-1.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos175-1.jpg

with guitar, with a slow song

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos179-2.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos184.jpg

with the baglama (always difficult to get, as he “hides” the baglama under the desk)

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos194-3.jpg

“only” with microphone

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos234.jpg

What is going on here? Checking the guitar? Intention or accident? Did he squash his fingers?

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos237.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos239.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos241.jpg

The program was selected for the Israeli audience, and I’m not talking about the Hebrew songs. To my opinion, the Israeli people are a bit “crazy” with music. They love music, love to join in, with clapping and singing, even if they don’t know the lyrics. These performances in Caesarea were not sold out. But you didn’t realize, as those who were there, gave the impression of a crowded sold out audience. Especially with songs like: Όλα καλά, Ήταν πέντε, ήταν έξι, Τα παιδιά της άμυνας, they were so excited! Great atmosphere!

And when the orchestra, means the bouzouki started the last song: μη μου θυμώνεις, the whole arena was singing (I’m sure they have lyrics in Hebrew of this song) Amazing! And Dalaras? He let them sing…

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos258.jpg

seems he says to Mr. Andropov: let’s go home, they do it on their own

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos259-2.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos260.jpg

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos261-1.jpg

we come to the end: Dalaras’ thank you to this real amazing audience

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos265-1.jpg

of course we had some flowers

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos269-2.jpg

and the last one, doesn’t it look as if he gives a special thank you to me

http://i50.photobucket.com/albums/f325/AnnaSch/Fotos272.jpg

[Hristaki 313]

Anna, once again, I thank you for your AWESOME photographs... they are BEAUTIFUL!!!! :)

[petros_petrakis 1,559]

Anna...

what a nice smiley, thank you very much!

One thing I liked very much about these two concerts in Caesarea, was to see how much Dalaras himself enjoyed the performances. I have been to a lot of his concerts with symphonic orchestras. And he never seemed to be relaxed. The opposite, I had the impression, that he was always a bit nervous and very serious with these big orchestras and the conductors. Especially in the beginning. But now, nothing! From the beginning relaxed, joyful, but definitely not shallow, no, as exact as always. No mistake and every song he interpreted on the well known high standard!!! To say in one sentence: It was a great joy for me to attend and to listen to and –once again- I’m so thankful!!!

Ps. even his “not dressing up”, jeans and „το ίδιο παλτό“ was perfect

But back to the photos, here we have Dalaras with the tsouras:

http://i50.photobuck.../Fotos147-1.jpg

http://i50.photobuck.../Fotos148-1.jpg

and I like so much this look to the conductor

http://i50.photobuck...ch/Fotos156.jpg

http://i50.photobuck.../Fotos167-1.jpg

with the guitar, in action

http://i50.photobuck...ch/Fotos172.jpg

http://i50.photobuck.../Fotos173-1.jpg

http://i50.photobuck.../Fotos175-1.jpg

with guitar, with a slow song

http://i50.photobuck.../Fotos179-2.jpg

http://i50.photobuck...ch/Fotos184.jpg

with the baglama (always difficult to get, as he “hides” the baglama under the desk)

http://i50.photobuck.../Fotos194-3.jpg

“only” with microphone

http://i50.photobuck...ch/Fotos234.jpg

What is going on here? Checking the guitar? Intention or accident? Did he squash his fingers?

http://i50.photobuck...ch/Fotos237.jpg

http://i50.photobuck...ch/Fotos239.jpg

http://i50.photobuck...ch/Fotos241.jpg

The program was selected for the Israeli audience, and I’m not talking about the Hebrew songs. To my opinion, the Israeli people are a bit “crazy” with music. They love music, love to join in, with clapping and singing, even if they don’t know the lyrics. These performances in Caesarea were not sold out. But you didn’t realize, as those who were there, gave the impression of a crowded sold out audience. Especially with songs like: Όλα καλά, Ήταν πέντε, ήταν έξι, Τα παιδιά της άμυνας, they were so excited! Great atmosphere!

And when the orchestra, means the bouzouki started the last song: μη μου θυμώνεις, the whole arena was singing (I’m sure they have lyrics in Hebrew of this song) Amazing! And Dalaras? He let them sing…

http://i50.photobuck...ch/Fotos258.jpg

seems he says to Mr. Andropov: let’s go home, they do it on their own

http://i50.photobuck.../Fotos259-2.jpg

http://i50.photobuck...ch/Fotos260.jpg

http://i50.photobuck.../Fotos261-1.jpg

we come to the end: Dalaras’ thank you to this real amazing audience

http://i50.photobuck.../Fotos265-1.jpg

of course we had some flowers

http://i50.photobuck.../Fotos269-2.jpg

and the last one, doesn’t it look as if he gives a special thank you to me

http://i50.photobuck...ch/Fotos272.jpg

:majesty:

[EKOSTEL 8,742]

Thank you, Anna!!! Once again!

For the photographs and for your comments.

[thes 1,340]

Superb! Thank you, Anna!